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Naohiko Umewaka - Performances of the Noh Play Yashima (27-30
Sept. 2001)
Japanese Noh theater is a stylized stage art which developed out
of cult dances and folk art musicals and looks back on to a 700
year old history. Most of the ca. 200 Noh plays are by Zeami (1363-1443)
who, like many masters of the Noh theater, was writer, actor, musician
and director in one and also formulated fundamental writings on
Noh theater. Noh plays consist of the rhythmic recitation of a text,
of classical Japanese music and of symbolic movements of the actors.
The acting, by male performers only, is extremely concentrated -
gesture is reduced to but a few standardized gestures and dance
movements, and the main actors wear characteristic masks.
The types of magnificent costumes used today were fixed in the 18th
century and not changed since.
Yashima, the piece to be performed at the Kunsthaus Bregenz, is
by Master Zeami and is about wars between the Taira and Minamoto
clans in the late 12th century. Sugimoto´s photograph Seto Inland
Sea from the Seascapes series functions as the stage set for the
Noh theater and was taken in Yashima, the historical site where
the battles between the two clans were fought.
Naohiko Umewaka, director of the Noh theater ensemble invited
by Hiroshoi Sugimoto, is the son of the legendary Noh actor Naoyoshi
Umewaka. Naohiko was instructed by his father and began to act at
the age of three. Naohiko Umewaka has composed, choreogrpahed and
performed various Noh pieces including the play The Baptism of Christ
which was performed for Pope John Paul II at the Vatican. In addition
to his numerous roles in international performances by the Umewaka
theater group, Naohiko Umewaka played the Emperor Hirohito in the
film Hiroshima (1995) under the direction of Roger Spottiswoode.
Peter Zumthor - The Kunsthaus Bregenz
To design a place for works of art and a place for people who
wish to encounter these works of art in a quiet atmosphere- this
was the task to which Peter Zumthor committed himself with his design
for the Kunsthaus Bregenz which opened in 1997. As one of Europe's
most innovative exhibition houses, the Kunsthaus received the Carlsberg
Prize in 1998 and the Mies van der Rohe Award for European Architecture
in 1999. Like the photographic work of Hiroshi Sugimoto, the architecture
of the Kunsthaus Bregenz is characterized by reduction, peace and
timelessness. The interior spaces are surrounded by exposed concrete
walls as smooth as silk and are illuminated with natural light.
No unnecessary details distract the eye. The unaffected structure
of the building allows for the contemplation and concentration on
the significant which Zumthor aspired to and which have a fundamental
meaning for Japanese art as well.
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