A R T <> L I N K S
investigated and updated by calc - last update 10.12.1997
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| bureaulandschaft >>secretdeadmediamachinecollage.etc...<< http://www.islandnet.com/~ianc/ by: Ian Campell a.f. |
calcaxy >>calc onlein - ejects, projects, objects and subjects<< http://www1.las.es/~calcaxy/ by: Teresa Alonso, tOmi Scheiderbauer, Luks Brunner, Malex Spiegel, u.v.v.a. |
etoy >>high risk / protection / art / investment run / jump / shoot and shout for the digital generation! networked communication and production. reality emigration. digital existence. releasing the edge game.<< http://www.etoy.com/ by: the netgang |
the file room >>The File Room is an illustrated archive on censorship which you can browse, as well as add cases to<< http://fileroom.aaup.uic.edu/fileroom.html by: Initiated as an artist's project by Muntadas, The File Room is produced by Randolph Street Gallery (Chicago,IL) with the support of the School of Art and Design and the Electronic Visualization Laboratory at the University of Illinois at Chicago |
flux-show >Fluxus is the wiry, post-Dada art movement that flourished in New York and Germany in the 1950s and '60s, and influences many contemporary artists. The rest you have to figure out yourself... << http://www.panix.com/~fluxus/ by: Flux |
form >>form experiments<< http://www.c3.hu/hyper3/form/ by: Alexei Shulgin, Ungarn, Hungary |
global clock project >>The Global Clock Project is visualizing the earth as a clock, using light sensors connected among sites all over the world through the Internet<< http://www.labart.univ-paris8.fr/sites/site12/gclock/index.html by: Networked Collaborative Project organized by Masaki Fujihata in collaboration with Jun Murai for WIDE project. Keio University Shonan Fujisawa Campus, Japan |
/\/\ <---------------------[1] >>http://www.jodi.org/<< http://www.jodi.org/ by: http://www.jodi.org/ |
light on the net project >>You can control 49 light bulbs from the Internet!! There are 49 light bulbs installed as 7x7 matrix at the hall of the building Gifu Softopia Center. You can see still video image of lights with an environments of the building SOFTOPIA in Gifu. You can draw simple figure on that by clicking that clickable map<< http://www.labart.univ-paris8.fr/sites/site12/light/index.html by: Idea: Masaki Fujihata + Ryouko Sukegawa Design: Masaki Fujihata Server program: Takeshi Kawashima Circiut design: Takeshi Kawashima + Masaki Iwata |
line >>- line - is about relating on-line in the mute s pace of the cyberpolis. - line - is like walking anonymously into someone else's headspace and being allowed to fool around....intellectual, engaging, and delightful.<< http://www.subtle.net/line/ by: melinda rackham |
moscow wwwart centre >>Though we regard the word "art" quite outdated we use it in order you would not lose completely your vanishing identity and until smart people invent some appropriate notion (and word). Moscow WWWArt Centre's aims are: - translation of Russian underground (= mainstream) art into Internet; - creating new and reshuffling existing contexts; - approaching the highest possible level of art/life uncertainty; - being on the frontier of art and everything else; - others, unmentionable. Moscow WWWArt Centre exists since october 1994 (started as "Hot Pictures" photogallery) exclusively because of the enthusiasm of its creators.<< http://sunsite.cs.msu.su/wwwart/ by: Alexei Shulgin, Tania Detkina, Alexander Nikolaev and Rachel Baker |
musers service >>Muser's Service is an assistant for daydreaming. It generates chains of associations out of material supplied by the users. Each user can enter various linked concepts and references to web pages which are stored in an associative database<< http://domini.zkm.de/muser.html by: (Center for Arts and Media) Karlsruhe, Germany with the support of Brouillard Précis, Marseille, France Software: Jean-Francois Beauchamp, Adolf Mathias |
rhein-art 97 >>Internationale Skulpturenausstellung zwischen Lustenau (A) und Widnau (CH)<< http://www.openoffice.ch/rheinart/ by: real - Martin Gepp, Roger Zoller, Kurt Spierig u.v.a. virtuell: calc |
sensorium >>sensorium's fundamental thematic concept is to expand the possibilities of the Internet as a tool to sense the world. sensorium members also share the common desire to make a positive contribution to the developmental process of the Internet as a form of media. The concept is best understood by experiencing the projects themselves. :-) (received the Ars Electronica Center Prix '97 Golden Nica Award for the net category)<< http://www.sensorium.org/ by: Project Taos, of which producer Shinichi Takemura is president, is sensorium's official base. |
sito >>synergy - collaborative art projects - SITO, at it's most basic interpretation and intention, is a place for image-makers and image-lovers to exchange ideas, collaborate and, in a loose sense of the word, meet. SITO is collection of images and information accessible mainly via INTERNET that is open for public perusal and participation. The quickest analogy drawn is that SITO is like an "art collective". Not only because it's a place to see art, but also because of it's social reverbs. People do meet "on SITO". Ideas are exchanged.<< http://www.sito.org/ by: Ed Stastny, Omaha-USA |
the telegarden >>This tele-robotic installation allows WWW users to view and interact with a remote garden filled with living plants. Members can plant, water, and monitor the progress of seedlings via the tender movements of an industrial robot arm. Internet behavior might be characterized as ``hunting and gathering''; our purpose is to consider the ``post-nomadic'' community, where survival favors those who work together 1996-97: On Exhibit at the Ars Electronica Center<< http://www.usc.edu/dept/garden/ by: Co-directors: Ken Goldberg and Joseph Santarromana (UC Irvine) Project team: George Bekey, Steven Gentner, Rosemary Morris, Carl Sutter, Jeff Wiegley, Erich Berger |
the thing >>art & communication international - THE THING began in 1991 as one of the first Bulletin Board System projects combining contemporary art and communication. An action that redefined the way artists made work and critics responded--not as commentary, but as dialogue. We renovated in 1995 and moved ourwares onto the web.<< NYC: http://www.thing.net Amsterdam: http://www.thing.Desk.nl/home.html Basel: http://www.thing.ch Berlin: http://www.thing.de Frankfurt: http://www.rz.uni-frankfurt.de/~halbe/the_thing/ Vienna: http://www.thing.at/thing by: (NYC) Wolfgang Staehle, Gisela Ehrenfried Max Kossatz, Ricardo Dominguez Diane Ludin, Ali Rutigliano Holger Friese, Hubert Gertis, u.v.v.a. |
"who's afraid of blue, red and green?" >>Ein wesentlicher formaler Faktor einzelner genannter Projekte ist die apparative Oberfläche eines Farbbildschirms (TV oder Computer), die in vertikaler Streifung in den Grundfarben Blau, Rot und Grün für den Bildaufbau verantwortlich zeichnet. Diese Oberfläche in vergrösserter Form stellt den Ausgangspunkt für die interaktive Installation "WHO'S AFRAID OF BLUE, RED AND GREEN"? im Internet dar.<< http://www.silverserver.co.at/LOT/EXTENS/selichar/ by: Guenther Selichar und LOTart.investigation |
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