KUB 2020.02
Unprecedented Times
Helen Cammock | William Kentridge’s The Centre for the Less Good Idea |
Annette Messager | Rabih Mroué | Markus Schinwald | Marianna Simnett |
Ania Soliman
05 | 06 – 30 | 08 | 2020
| Press release | Download PDF file | Download WORD file |
| List of works | Download PDF file | |
| On William Kentrige's The Centre for the Less Good Idea and »29 Long Minutes« | Download WORD file | |
| William Kentridge's The Centre for the Less Good Idea | Download WORD file | |
| On Ania Soliman, »Journal of Confinement« | Download PDF file | |
| Interview Helen Cammock | Download PDF file |
For inquiries concerning the reproduction of images in news media, books and catalogues and for marketing purposes such as illustrated brochures, posters, advertisements, invitations, etc. please contact Mag. Martina Feurstein m.feurstein@kunsthaus-bregenz.at.
This pictures may only be used in connection with the coverage of exhibitions in the Kunsthaus Bregenz and referring to the following copyright!
Invitation Card
Exhibition booklet
Unprecedented Times
Installation view ground floor, Kunsthaus Bregenz, 2020
Annette Messager
Certitudes – Incertitudes, 2019–2020
Courtesy of the artist and Marian Goodman Gallery, London/New York/Paris
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Ania Soliman
journal of confinement, 2020
Courtesy of the artist and Sfeir-Semler Gallery, Beirut/Hamburg
© Ania Soliman
Ania Soliman
journal of confinement, 2020
Courtesy of the artist and Sfeir-Semler Gallery, Beirut/Hamburg
© Ania Soliman
Ania Soliman
journal of confinement, 2020
Courtesy of the artist and Sfeir-Semler Gallery, Beirut/Hamburg
© Ania Soliman
Ania Soliman
journal of confinement, 2020
Courtesy of the artist and Sfeir-Semler Gallery, Beirut/Hamburg
© Ania Soliman
Annette Messager
Youme, 2019–2020
From the series Certitudes-Incertitudes, 2019–2020
Acrylic, 91 x 66cm
Photo: Rebecca Fpanuelle
Courtesy of the artist and Marian Goodman Gallery, London / New York / Paris
© Annette Messager
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Ania Soliman
Journal of (De)Confinement, 2020
Courtesy of the artist, Sfeir-Semler Gallery Beirut / Hamburg and àngels barcelona
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Ania Soliman
Digital Animal (Yellow), 2020
Courtesy of the artist, Sfeir-Semler Gallery Beirut / Hamburg and àngels barcelona
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Ania Soliman
Journal of Confinement, 2020
Courtesy of the artist, Sfeir-Semler Gallery Beirut / Hamburg and àngels barcelona
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Ania Soliman
Journal of Confinement, 2020
Courtesy of the artist, Sfeir-Semler Gallery Beirut / Hamburg and àngels barcelona
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view second floor, Kunsthaus Bregenz, 2020
Helen Cammock
They Call it Idlewild, 2020
Courtesy of the artist und Kate MacGarry Gallery, London
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Marianna Simnett
Tito's Dog, 2020
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view staircase second floor, Kunsthaus Bregenz, 2020
Marianna Simnett
Dance, Stanley, Dance, 2020
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view staircase second floor, Kunsthaus Bregenz, 2020
Marianna Simnett
Dance, Stanley, Dance, 2020
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view third floor, Kunsthaus Bregenz, 2020
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Bronwyn Lace und William Kentridge
Foto: Stella Olivier
© Bronwyn Lace, William Kentridge
William Kentridge
Dancing Rhino, 2020
Videostill aus The Long Minute, 2020
© William Kentridge
William Kentridge
Dancing Rhino, 2020
Videostill aus The Long Minute, 2020
© William Kentridge
William Kentridge
Counting Seconds, 2020
Videostill aus The Long Minute, 2020
© William Kentridge
Markus Schinwald
Grita, 2010
Courtesy of the artist and Gió Marconi, Milan
© Markus Schinwald / Bildrecht, Wien, 2020
Rabih Mroué
Chalk Outlines, 2020
Courtesy of the artist and Sfeir-Semler Gallery, Beirut/Hamburg
© Rabih Mroué
Unprecedented Times
Installation view first floor, Kunsthaus Bregenz, 2020
Marianna Simnett
Tito's Dog, 2020
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view ground floor, Kunsthaus Bregenz, 2020
William Kentridge’s The Centre for the Less Good Idea
29 Long Minutes, 2020
29 Videos, 29:00 Min.
Courtesy of the artist
Photo: Markus Tretter
(c) Kunsthaus Bregenz
Unprecedented Times
Installation view second floor, Kunsthaus Bregenz, 2020
Annette Messager
Certitudes – Incertitudes, 2019–2020
Courtesy of the artist and Marian Goodman Gallery, London/New York/Paris
Photo: Alicia Olmos Ochoa
(c) Kunsthaus Bregenz